Thursday, March 22, 2012

Luscious Fog: A Walk Through Chelsea


Running errands on the West Side, we got lost in the fog and ended up in gallery territory. Here's what we saw:


Terry Winters "Cricket Music, Tessellation Figures and Notebook" @ Matthew Marks (522 & 502 W 22 St) - This month is a banner one for abstract painting and Terry Winters' show of large oil on linen canvases is a delight. Bright and happy, they expand on the artist's exploration of nature and the "micro as macro" sensibility that has been his trademark. Not quite psychedelic, these pictures swirl with the compression-expansion of a sunflower and each canvas works this tension masterfully. The paintings have well-worked surfaces that are pleasantly surprising close-up. They also make nice reference to earlier modern masters of color such as Matisse, Delauney and Redon. Accompanying these paintings, up the street, is Winter's "Notebook" installation, a series of notebook paged collages that appear deceptively simple and give us a peek into the artist's process. DEFINITELY WORTH A VISIT! 
Up until April 14th 2012.


Tessellation Figure 7




Dan Walsh @ Paula Cooper (534 W 21 St) - Another show of luxurious abstract work. Ranging from unbelievably bright and colorful to deep and brooding, Walsh's cumulative process of layers creates opulent surfaces that dazzle the eye. Structural formality is countered with small details that have the decorative  depth of Aboriginal art. Do not miss the drawings in the front gallery. As a confessed "gold slut", I loved theses drawings! Worth a visit!
Closes April 21th 2012.


Georg Baselitz @ Gagosian (522 W 21st St) - This German master presents his largest canvases to date in this Barn of Art. I was pleasantly surprised by this show. Eschewing his preferred "upside-down" orientation, these portraits a split horizontally with the upper half featuring a close-up of the subject done with large patches of color similar to the Color Field painters that are embroidered with fine lines that bring detail to the face, and the lower half the rest of their body, often in a combination of motion and memory. Also featured is a black wood sculpture of a man and a woman arm in arm. I've often found Baselitz's work aggressive and deliberately ugly, but I found a genuine love and delicacy in these works. Bravo.
Up until April 7th 2012.


Georg Baselitz, installation view


Jonathan Lasker "Early Works 1977 - 1985" @ Cheim & Read (547 W 25th St)  - Speaking of abstract painting, the title says it all. Early works by one our better know abstract painters today. And indeed these are early. One can see the artist struggling to find a way to confront the concept of painting NOT being dead yet finding a clear and viable voice. The show is set up nicely, so by the time you get to the last gallery there's some nice resolution going on with three very satisfying canvases.
Ends March 24th 2012.



Also seen:
Anne Truitt @ Matthew Marks (525 W 24th) - A nice survey show of drawings dating back to the early 60's. Truitt's minimalist nature is overshadowed by phenomenal sense of color and line. Deceptively simple, another luscious abstract show! Loved it!!
Until April 14th.


Catherine Opie @ Mitchell-Innes & Nash (534 W 26) "High School Football - Opie continues her study of the structure of space and the development of community by turning to an all-American pass time. Large format landscapes dominate the back of the gallery while touching portraits of players grace the front. Don't miss Football Landscape #9: a masterpiece. Worth a peek. 
Until April 14th.


Sarah Charlesworth @ Susan Inglett (522 W 24) A show of new work entitled "Available Light" by a master of the photo-object. Light blue predominated especially in a charming striped piece. Nice to see her back.
Until April 14th. 



Melanie Willhide @ Von Lintel (520 W 23)  Mash-up meets Zen. Working with images retrieved from her stolen, formatted hard drive Willhide creates some very amusing and disturbing images. Think Lillian Bassman meets Weegee!
Closes March 24th.