NICELY NICELY: A Walk Through Chelsea

The thaw and the need to pick up art brought us to Chelsea today. While in the neighborhood we saw:


Joel Sternfeld "First Pictures" @ Luhring Augustine (531 W 24) - As the title announces, the photographs in this large exhibit all date from 1970 to 1986, many of which have never before been printed for exhibition, and set up the vocabulary the photographer would refine in later work. Nearly encyclopedic in volume, the prints themselves are modest in size; representing four separate "volumes" of work, there is a nostalgic, yet witty quality that makes you know you are looking at one man's work. I find the shore photos particularly charming and the show is a wonderful chronicle of some awful low-end fashion and styling. This show ends February 4th so catch it if you can!

Joel Sternfeld "First Pictures"

Shirin Neshat @ Gladstone (515 W 24) - Voluptuous large black-and-white photographs, mostly portraits, all inscribed with either text or drawings based on a classic Persian epic "The Book of Kings". A 3-channel video from 2010 entitled "Over-Ruled" runs in the back: A panoramic panel of a judge and his "assistants" is flanked by an oud player on one side and a singer on the other. I found the proportions of the work rather stunted and might work better as a larger projection. Closes February 11th.


Damien Hirst "The Complete Spot Paintings 1986-2011" @ Gagosian (all galleries) - The title says it all: a preposterous amount of dots shown in a preposterous way (the true Hirst-Heads can earn a free signed print if they make the effort to see all 11 exhibits before March 17th). Of the two downtown spaces the one on W 21 Street is the more intriguing selection; a wide selection of sizes and densities show the fun playfulness of this conceit (a small canvas packed with tiny spots is particularly giddy). The pretentiousness of the conceit comes to the forée on W 24th Street where too much of the same thing in the same room shows their vapid side. The most effective section here is the back gallery with the tondo paintings, circles on circles were a nice 60's flashback! In NYC until February 18th.

Hirst Spot Paintings on 24th St

Chris Martin @ Mitchell-Innes & Nash (534 W 26) Paintings - The third show by this Brooklyn-based painter at this gallery is a provocative mix of some of the painters earlier tropes with newer ones, including a grid of newspaper on the surface of the paintings, a Jamaican flag color palette, and curious cut-outs. The contagious silliness that drew me to Martins work previously is lacking in these new works, but still on view in some of the largest canvases. Don't forget to pat the lucky lawn troll in the corner. Worth a peek.



Also seen:
Bosco Sodi "Ubi sunt" @ Pace (545 W 22) The unique signature style of this Mexican-born, Brooklyn-based artist is hard-worn ugly deep-pile shag carpet. This work reminds me of Arte Povera surface paintings or Yves Klein texture paintings in colors that go well with peoples sofas. Ugh!!

THE WEDDING (THE WALKER EVANS POLAROID PROJECT) WITH RONI HORN/A curatorial composition by Ydessa Hendeles @ Andrea Rosen (525 W 24) A high falutin' show for a lot of mediocre SX-70 nicely displayed. Roni Horn should register a protest. It's closing SOON!!


Clay Ketter @ Sonnabend (536 W 22)  Lush, large-format color photo show of decaying Spain. Nice work from this photographer. Worth a peek.